Today I'm showing you the paintings I did after Terry Miura challenged people to paint from his photo of an urban environment. Go take a look at his original photo. I don't get to view things like this shot much, so it was a lot of fun taking on the challenge.
The idea was to take a densely packed and busy photo and find ways to simplify it, perhaps by cropping, but also by resisting the temptation to paint every detail there. I love a challenge, so I was up to give it a try.
Here's my first one, my usual size, 2.5" x 3.5".
I was intrigued by the density of the small shapes and colors, but attempted to keep it unified by values. Close one eye and squint and you'll see the big dark shape on the far left, the medium-dark shape in the middle, and the medium and medium-light shapes of the hills. Successful, but not quite what I was after.
Here's my second one, a HUGE departure for me and far more what I wanted to accomplish. It's literally huge, for me anyway: 8"x5" on a piece of black Pastelmat paper!
I chose to crop and distort the image, pulling it into a much elongated and stylized version that appealed to me. I loved the sense of a street going uphill in stages, and enhanced that with the light coming between the buildings. I probably 'should' have added more shadow shapes of the buildings, but I chose to limit that response in order to keep it simple. I limited my palette, and heightened the contrasting values. Cars? No chance! I just haven't the inclination for those shapes, so I suggested a couple and let it go at that. Do you think it works?
Be sure to take a look over at Terry's challenge to see some of the things folks have painted already, and maybe even join in yourself!
Edited to add a link to Terry Miura's SIMPLIFY! - A Cityscape Challenge where you can see a slide show of 60 paintings, including Terry's beautiful version.
Wednesday, February 22, 2012
I've painted this view at least ten or fifteen times! It's a photo I took over 20 years ago down on scenic Rio Grande Blvd in the valley that runs through Albuquerque. These adobe walls are really substantial, and this one has a window that allows a glimpse of the fields and trees beyond the road.
The pink is a little exaggeration of the color, but I like it. This is a romantic little painting, so the sweet colors seem to work. It's definitely "old New Mexico". I hope you like it.
Saturday, February 18, 2012
This one comes with memories, too, of the many times I drove along Highway 14 on the east side of Sandia, which is dubbed 'The Turquoise Trail', amid these blue and lavender storm clouds with the tawny grasses stretched out in colorful contrasts. Gorgeous!
This one is also on Bristol paper (100 lb. in case you want to know), and I'm learning to love how it behaves. I really soaked the paper to do the sky, yet the paint sits on top of the hard paper and mingles differently than it does on the Arches. I have a lot of Bristol ACEO cards, so for now I'm sticking to using it.
My favorite part of this one is the way the light clouds drip down over the blue sky on the right there... Hope you like it, too!
Friday, February 17, 2012
This is a view of Sandia Peak that I see frequently from my neighborhood. I love seeing the glints of the Rio Grande wending its way along among the trees, and the transparent shadows turning the woods and distant city from blazing pinky-peach to cool blues and greens. You don't often have a sense of the depth of the ranges until you see the deep blue shadows delineating the hills this way.
I had a customer at an outdoor fair walk into my booth years ago and peer at one of my paintings of the mountain at sunset. She turned to her companion and in a definite New York accent said, "Mountains are never that color!" The real irony was that at that moment she could have looked over her shoulder and seen Sandia that very shade, as the sun went down. Some people have just decided what color the mountains are, and that's that. Well, if I have to choose, I'm choosing this color! ('Sandia' means watermelon in the Tewa dialect, and often our mountain resembles nothing so much as a giant slice of watermelon, rind and all.)
Thursday, February 16, 2012
I like the underlying shapes in this painting, defined by their values, of course. I think if you turned it upside down it would still be interesting. That's a little test I often apply to my paintings. I love the light on the mountain and distant trees because it showcases the area in the turquoise shadows. And the sparkle of the water pleases me, too. I'd like to be sitting there looking at this river in person right now.
It's from a photo I took 20 years ago up in the Blanco Basin, near Pagosa Springs, Colorado. A beautiful spot, it's been featured in many paintings of mine since then!
Wednesday, February 15, 2012
I was about to cut this avocado open when I noticed the gorgeous blush of red-violet across one side and had to paint it. (Happily, I had another one I could eat instead!)
Yes, I painted it from life, as no photo I take could catch those colors. They please me, as do the textures I managed to capture, but I have to say that the slight reflection of the white ground on the shadowed side pleases me the most. (It's the little things that count!)
I think I'll put a grouping of these small horizontal ones together as a kitchen painting. This is just a quick snapshot of the paintings I'm considering. I need to further consider the arrangement, but something like this.
I don't think the two grapes belong side-by-side. Hmmmm... How would you arrange them? Your opinions are welcome.
Monday, February 13, 2012
These three just looked delicious sitting in the sun on my table so I had to paint them. I set them on a white sheet of paper so the reds and oranges, contrasting with the different greens and the purple shadows, would just sing out. The squishy highlight on the left tomato pleases me a lot. I think I managed to catch the ripe quality of a soft-yet-firm tomato. Delicious.
As ever, this painting fits in the palm of your hand, 2.5" x 3.5" in size.
Sunday, February 12, 2012
Roses have faces to me. This yellow rose looks you in the eye and smiles, I think. It doesn't take itself too seriously, and just seems to fit in, even surrounded by neighbors that are so completely opposite it.
Hmmm, too much personification? Well, maybe, but I honestly find myself thinking these things as I paint. I like this guy's sunny smile, and if I'd thought of it sooner that would have been the title.
Hope it makes you smile...
Friday, February 10, 2012
A little different take, more somber and quiet. This little sweetheart was tucked into a bouquet of roses, but seems to have a bit of an independent spirit, heading sideways as it is. I always enjoy yellow roses, even with a touch of blush on them. The Canvas Paper makes the gouache look a little like oil paint, I think. That pleases me.
Remember the scale:
Wednesday, February 8, 2012
Another blue sky and pink rose--this one in full bloom. He's actually a companion to Sunshine Rose, as they were side by side in the photograph I used. This one is against a slightly deeper blue sky, a bit quieter and...dare I say more mature looking? :)
I'm pleased with the loose strokes and truthfully I like the striations in the sky. They add a suggestion of movement to it. The big face of the rose looks as if it's just basking in the sunlight to me.
Ah! I don't know about you, but I'm ready for spring. It can't still be winter... Well, soon enough the roses will bloom again, all in God's good time.
Sunday, February 5, 2012
I have some oatmeal paper that I found at Hobby Lobby. As I was painting this one I decided the paper was the perfect color and value, so I left it exposed. I like the swift, juicy strokes in this sunny piece. It seems to say all I wanted to without over-detailing things. Silly, I know, but the paler green leaf on the right side just pleases me next to the variegation of the rose petal. The contrasting darks do their job well, too. All in all, this is one I'd frame for myself, but then yellow roses are about my favorite flower in the world!
I hope you like it too.
Thursday, February 2, 2012
I love this painting! It's so nice to really love a painting from time to time. Oh, I like them all or I wouldn't show them here. But this one just makes me smile. I wanted to capture the translucent petals, as well as the more opaque ones. I didn't want it to be too tightly rendered, but loosely suggesting all that was there. I love the colors, too.
Yes, you can buy any of the paintings. Go to the tab marked Purchase a Painting at the top for information. Each one is $25.00, plus a modest shipping charge (unless marked otherwise.)